Originally a performative lecture and gallery experience at the Queens Museum of Art in conjunction with the exhibition “Tarjamah”, “I and Translation” has become the permanent title for ongoing reflection, communications, conversations, and writings on translation with my ‘subjectivities’ at play. An ongoing theory in essence.
The original presentation took up several threads of major importance and impact and connected them to artworks in the ‘Tarjama’ exhibition.
Pieces inspired by various threads of I & Translation have been developed further and found homes in various publications, including in The Polyglossophilia Bacchanale and across Seasons of the Manifestoes Global Barnstorm, which integrates various threads of manifestoes from different fields and projects.